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80+ Inspirational Stephen King Quotes for Writers

Stephen King is one of the most popular writers of our generations. He is frequently described as the ‘King of Horror’. In this article, we will explore his advice on writing gathered from his various interviews as well as his autobiography, On Writing. The quotes cover topics such as:
- Why writers write
- Importance of reading for a writer
- Challenges of evolving as a writer
- His writing routine and philosophy
If you want to learn more about Stephen King, check out his quick biography.
Quotes on Why Writers Write
1. Writing isn’t about making money, getting famous, getting dates, getting laid, or making friends. In the end, it’s about enriching the lives of those who will read your work, and enriching your own life, as well. – On Writing, 2000
2. If God gives you something you can do, why in God’s name wouldn’t you do it? – On Writing, 2000
3. What else am I going to do? …you’ve got to do something to fill up your day. And I can only play so much guitar and watch so many TV shows. It fulfills me. There are two things about it I like: It makes me happy, and it makes other people happy. – Rolling Stones Interview, 2014
4. Writing is not life, but I think that sometimes it can be a way back to life. – On Writing, 2000
5. When I’m working and it’s going really well, time and the real world kind of disappear– The Guardian Interview, 2019
6. I think you find out about yourself a little bit with every book you write, at least the ones that really matter to you. You discover what you believe, and those things come out in the books. – Esquire Interview, 2021
7. It’s a way to use your imagination as a force for good, where you can actually – by making believe, you can increase your serenity. You can take a little vacation from everything that’s going on. That’s the purpose of art. – NPR Interview, 2020
8. You’re able to go into a world that you know is not real. But if the artist is good – the filmmaker or the novelist, maybe even the painter – for a little while, you’re able to believe that world because the picture of it and the depiction of it is so real that you can go in there.– NPR Interview, 2020
9. It took me back to the beginning, and to the sense of freedom I felt when I discovered that I could actually drive the story. That’s an intoxicating feeling—the sense that you can actually tell a story, and that you can reveal a little bit about yourself. – Esquire Interview, 2021
10. Creative life is absurdly short. I want to cram in as much as I can. – The Guardian Interview, 2019
Quotes on Success and Legacy
11. I’ve reached a point in my career where I can have it any goddamn way I want to, if I want to. If you get popular enough, they give you all the rope you want. You can hang yourself in Times Square if you want to, and I’ve done it. – Paris Review Interview, 2006
12. I can afford to lose fans. That sounds totally conceited, but I don’t mean it that way: I can lose half of my fan base and still have enough to live on very comfortably. I’ve had the freedom to follow my own course, which is great. – Paris Review Interview, 2006
13. Only two things happen to writers when they die: Either their work survives, or it becomes forgotten. – Rolling Stones Interview, 2014
14. Ask kids in high school, “Who is Somerset Maugham?” They’re not going to know. He wrote books that were bestsellers in their time. But he’s well-forgotten now, whereas Agatha Christie has never been more popular…She’s not as good a writer as Maugham, and she certainly didn’t try to do anything other than entertain people. – Rolling Stones Interview, 2014
Quotes on How to Write Well
15. I care about anything that goes out with my name on it. If you’re going to do the work and if someone is going to pay you for it, I think you ought to do the best job that you can. – Paris Review Interview, 2006
16. If you want to be a writer, you must do two things above all others: read a lot and write a lot. There’s no way around these two things that I’m aware of, no shortcut. – On Writing, 2000
17. I’m convinced that fear is at the root of most bad writing. – On Writing, 2000
18. It’s best to have your tools with you. If you don’t, you’re apt to find something you didn’t expect and get discouraged. – On Writing, 2000
19. All novels are really letters aimed at one person. – On Writing, 2000
20. When you write a story, you’re telling yourself the story. When you rewrite, your main job is taking out all the things that are not the story. – On Writing, 2000
21. To write is human, to edit is divine. – On Writing, 2000
22. Write with the door closed, rewrite with the door open. – On Writing, 2000
Quotes on Talent
23. Anyone can see the difference between someone who’s talented and someone that’s not. The main character in Revival, Jamie, just has natural talent. What he can do on the guitar, I can do when I write. It just pours out. Nobody taught me. – Rolling Stones Interview, 2014
24. In all the years that I’ve been doing this since I discovered the talent when I was 7 or 8 years old, I still feel much the same as I did in the early days, which is – I’m going to leave the ordinary world for my own world. And it’s a wonderful, exhilarating experience. I’m very grateful to be able to have it. – NPR Interview, 2020
Quotes on Reading
25. Reading is the creative center of a writer’s life. I take a book with me everywhere I go, and find there are all sorts of opportunities to dip in. – On Writing, 2000
26. You have to read widely, constantly refining (and redefining) your own work as you do so. It’s hard for me to believe that people who read very little (or not at all in some cases) should presume to write and expect people to like what they have written. – On Writing, 2000
27. If you don’t have time to read, you don’t have the time (or the tools) to write. – On Writing, 2000
28. Good description is a learned skill, one of the prime reasons why you cannot succeed unless you read a lot and write a lot. It’s not just a question of how-to, you see; it’s also a question of how much to. Reading will help you answer how much, and only reams of writing will help you with the how. You can learn only by doing. – On Writing, 2000
29. The more you read, the less apt you are to make a fool of yourself with your pen or word processor. – On Writing, 2000
30. I’m a slow reader, but I usually get through seventy or eighty books a year, most fiction. I don’t read in order to study the craft; I read because I like to read. – On Writing, 2000
Quotes on Money and Charity
31. I don’t even think about money. I have two amazing things in my life: I’m pain-free and I’m debt-free. Money means I can support my family and still do what I love. Not very many people can say that in this world, and not many writers can say that. – Rolling Stones Interview, 2014
32. We were raised firmly to believe that if you give away money and you make a big deal of it so that everybody sees it, that’s hubris. You do it for yourself, and you’re not supposed to make a big deal about it. – Rolling Stones Interview, 2014
33. We have publicly acknowledged certain contributions, but the idea behind that is to say to other people, “This is the example we’re trying to make, so we wish that you would do the same thing.” – Rolling Stones Interview, 2014
Quotes for Getting Ideas in Writing
34. I don’t really remember very much about where the ideas came from. In the process of writing a book like Billy Summers, I can’t remember the day-to-day. It’s like when you wake up from a very vivid dream. Six or seven hours later, you say, “I know I had a dream, but I can’t remember what it was about.” – Esquire Interview, 2021
35. Good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and make something new under the sun. Your job isn’t to find these ideas but to recognize them when they show up. – On Writing, 2000
36. For me, novels come in pieces. I just collect pieces in my mind, and little by little, they start to connect. – Esquire Interview, 2021
37. Your job isn’t to find these ideas but to recognize them when they show up. – On Writing, 2000
38. That’s the heart of the mystery. Something inside you calls out and says, “This is for me -this is what I want. I have to get at it.” – Esquire Interview, 2021
39. Amateurs sit and wait for inspiration, the rest of us just get up and go to work. – On Writing, 2000
40. Boredom can be a very good thing for someone in a creative jam. – On Writing, 2000
41. The scariest moment is always just before you start. After that, things can only get better. – On Writing, 2000
Quotes on Challenges of Writing
42. Writing fiction, especially a long work of fiction can be difficult, lonely job; it’s like crossing the Atlantic Ocean in a bathtub. There’s plenty of opportunity for self-doubt. – On Writing, 2000
43. I got to a point in The Stand where I just put it aside, and I said, “I don’t think I can finish this.” It killed me, because I had like 450 single-spaced pages. You don’t want to think of all that work just going to waste -a busted book. – Esquire Interview, 2021
44. Stopping a piece of work just because it’s hard, either emotionally or imaginatively, is a bad idea. Sometimes you have to go on when you don’t feel like it, and sometimes you’re doing good work when it feels like all you’re managing is to shovel shit from a sitting position. – On Writing, 2000
45. Sometimes you have to go on when you don’t feel like it, and sometimes you’re doing good work when it feels like all you’re managing is to shovel shit from a sitting position. – On Writing, 2000
46. The longer the book, the heavier it gets at some point. You always have doubts. It’s a little bit like sailing in a little boat across a broad ocean. There are big waves, and you’re always in danger of being swamped, particularly if you work like I do. – Esquire Interview, 2021
47. I just depend on the story to keep on rolling ahead of me. I’ve had times when the boat sank. I’ve got a couple of unfinished books in my drawers that I just didn’t know how to go on with. – Esquire Interview, 2021
48. By the time I was fourteen the nail in my wall would no longer support the weight of the rejection slips impaled upon it. I replaced the nail with a spike and went On Writing, 2000. – On Writing, 2000
Quotes on Evolving as a Writer
49. I also think that I have changed as a writer over the years, in the sense that I’m not providing exactly the same level of escape that ’Salem’s Lot, The Shining, or even The Stand does. – Paris Review Interview, 2006
50. There are people out there who would have been perfectly happy had I died in 1978, the people who come to me and say, Oh, you never wrote a book as good as The Stand. I usually tell them how depressing it is to hear them say that something you wrote twenty-eight years ago was your best book. – Paris Review Interview, 2006
51. I lost some readers at various points. It was just a natural process of attrition, that’s all. People go on, they find other things. – Paris Review Interview, 2006
52. You try to grow as a writer and not just do the same thing over and over again, because there’s absolutely no point to that. – Paris Review Interview, 2006
Quotes on Criticism and Feedback
53. It feels good to be at least semi-respectable. I have outlived most of my most virulent critics. It gives me great pleasure to say that. Does that make me a bad person? – The Guardian Interview, 2019
54. I don’t think it’s me, I don’t think it’s a best-seller thing, I think it’s a writer thing, and it goes across the board -it never changes -but my first thought was, She can’t tell me that. She doesn’t know. She’s not a writer. She doesn’t understand my genius! – Paris Review Interview, 2006
55. Early in my career, The Village Voice did a caricature of me that hurts even today when I think about it. It was a picture of me eating money. I had this big, bloated face. It was this assumption that if fiction was selling a lot of copies, it was bad. If something is accessible to a lot of people, it’s got to be dumb because most people are dumb. And that’s elitist. I don’t buy it. – Rolling Stones Interview, 2014
56. Particularly in the days when I was doping and drinking all the time, I did what I wanted. And that included telling editors to go screw themselves. – Paris Review Interview, 2006
Quotes on Authenticity
57. I have a drive to succeed. I have a drive to want to please people, as many people as possible. But that ends at a certain point where you say, “I’m not going to sell out and write this one particular kind of thing.” – Rolling Stones Interview, 2014
58. I had to sit down and have a discussion with myself and say, “Do you want to do what your heart is telling you you should do, or do you want to do what people expect? Because if you only want to write what people expect, what…did you do all this for? Why don’t you write what you want to write?” – Rolling Stones Interview, 2014
59. I’m always interested in what my readers think, and I’m aware that many of them want to participate in the story. I don’t have a problem with that, just so long as they understand that what they think isn’t necessarily going to change what I do. That is, I’m never going to say, I’ve got this story, here it is. Now here’s a poll. How do you think I should end it? – Paris Review Interview, 2006
Quotes on Stephen King’s Writing Routine and Process
60. I wake up. I eat breakfast. I walk about three and a half miles. I come back, I go out to my little office, where I’ve got a manuscript, and the last page that I was happy with is on top. I read that, and it’s like getting on a taxiway. I’m able to go through and revise it and put myself…back into that world. – Rolling Stones Interview, 2014
61. I work on a book every day. It’s like a religion to me. – Esquire Interview, 2021
62. I like to get ten pages a day, which amounts to 2,000 words. That’s 180,000 words over a three-month span, a goodish length for a book. – On Writing, 2000
63. I used to write two thousand words a day and sometimes even more. But now it’s just a paltry thousand words a day. – Paris Review Interview, 2006
64. I used to write more and I used to write faster – it’s just aging. It slows you down a little bit. – Rolling Stones Interview, 2014
65. I’ll write every day for maybe six months and get a draft of something – and then I make myself stop completely for 10 days or 12 days in order to let everything settle. – Rolling Stones Interview, 2014
67. I don’t spend the day writing. I’ll maybe write fresh copy for two hours, and then I’ll go back and revise some of it and print what I like and then turn it off. – Rolling Stones Interview, 2014
68. After I finished the first draft of Lisey, I gave myself six weeks. When you return to a novel after that amount of time, it seems almost as if a different person wrote it. You’re not quite as wedded to it. You find all sorts of horrible errors, but you also find passages that make you say, Jesus, that’s good! – Paris Review Interview, 2006
69. It’s good to give the thing at least six weeks to sit and breathe. But I don’t always have that luxury. – Paris Review Interview, 2006
70. With “Duma Key”- the novel I’m working on now -I’ve actually codified the notes to make sure I remember the different plot strands. I write down birth dates to figure out how old characters are at certain times. – Paris Review Interview, 2006
71. One of the ways the computer has changed the way I work is that I have a much greater tendency to edit “in the camera” -to make changes on the screen. With Cell that’s what I did. I read it over, I had editorial corrections, I was able to make my own corrections, and to me that’s like ice skating. It’s an OK way to do the work, but it isn’t optimal. – Paris Review Interview, 2006
72. With Lisey I had the copy beside the computer and I created blank documents and retyped the whole thing. To me that’s like swimming, and that’s preferable. It’s like you’re writing the book over again. It is literally a rewriting. – Paris Review Interview, 2006
Quotes on Stephen King’s Writing Environment
73. Wherever you write is supposed to be a little bit of a refuge, a place where you can get away from the world. The more closed in you are, the more you’re forced back on your own imagination. I mean, if I were near a window, I’d be OK for a while, but then I’d be checking out the girls on the street and who’s getting in and out of the cars. – Paris Review Interview, 2006
74. It’s nice to have a desk, a comfortable chair so you’re not shifting around all the time, and enough light. – Paris Review Interview, 2006
75. My study is basically just a room where I work. I have a filing system. It’s very complex, very orderly. – Paris Review Interview, 2006
76. If people read me because they’re getting a story that’s paced a certain way, it’s because they sense I want to get to where I’m going. I don’t want to dawdle around and look at the scenery. To achieve that pace I used to listen to music. – Paris Review Interview, 2006
77. The music I happen to be listening to can sometimes affect word choice, or cause a new line, but never affects style. – The Guardian Interview, 2019
78. I’ll only listen to music at the end of a day’s work, when I roll back to the beginning of what I did that day and go over it on the screen. A lot of times the music will drive my wife crazy because it will be the same thing over and over and over again… I’m not really listening to the music -it’s just something there in the background. – Paris Review Interview, 2006
Quotes on Stephen King’s Writing Philosophy
79. I can remember thinking that I wanted the book to feel like a brick that was heaved through your window at you. I’ve always thought that the sort of book that I do…should be a kind of personal assault…It should get in your face. It should upset you, disturb you. – Paris Review Interview, 2006
80. Every book is different each time you revise it. Because when you finish the book, you say to yourself, This isn’t what I meant to write at all. – Paris Review Interview, 2006
81. Deliberately go slower? No, never. I’ve written longhand [Dreamcatcher], but poke along and obsessively polish? No. You keep picking a scab, you’re gonna make it bleed instead of heal. – The Guardian Interview, 2019
82. As the science-fiction writer Alfred Bester used to say, The book is the boss. You’ve got to let the book go where it wants to go, and you just follow along. If it doesn’t do that, it’s a bad book. – Paris Review Interview, 2006
83. What I’m really interested in as a writer that I come back to time and time again is the intrusion of the unexpected and the strange into our everyday life…I like to explore that world where something strange happens to ordinary people. – NPR Interview, 2020
84. You can never bend reality to serve the fiction. You have to bend the fiction to serve reality when you find those things out. – Paris Review Interview, 2006
85. Some writers take years; James Patterson takes a weekend. Every writer is different. I feel that a first draft should take about four months, but that’s me. And I go over my work obsessively. – The Guardian Interview, 2019
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50+ Inspiring Anne Lamott Quotes for Writers
Anne Lamott is a bestselling author of numerous fiction and non-fiction books. In this article, we will explore her quotes which a packed full of excellent advice for writers. The quotes are drawn from various sources including her interviews, talks, and her book on writing, Bird by Bird.
The quotes will help you to deal with different challenges that face writers including:
- How to be consistent in writing
- How to get ideas for writing
- How to deal with self-doubt and fear
If you want to learn more about Anne Lamott, check out her quick biography.
Quotes on Why You Should Write
1. You’re going to feel like hell if you wake up someday and you never wrote the stuff that is tugging on the sleeves of your heart: your stories, memories, visions and songs -your truth, your version of thing – in your own voice. That’s really all you have to offer us, and that’s also why you were born. – Ted Talk, 2017
2. Maybe what you’ve written will help others, will be a small part of the solution. You don’t even have to know how or in what way, but if you are writing the clearest, truest words you can find and doing the best you can to understand and communicate, this will shine on paper like its own little lighthouse. – Bird by Bird, 1995
3. I’ve written 13 books now. It’s not really important that I write a lot more books, but I do it as a debt of honor. I got one of the five golden tickets to be a writer, and I take that seriously. – Goodreads Interview, 2012
4. I don’t love my own work at all, but I love my own self. I love that I’ve been given the chance to capture the stories that come through me. – Goodreads Interview, 2012
5. Writing taught my father to pay attention; my father in turn taught other people to pay attention and then to write down their thoughts and observations. – Bird by Bird, 1995
6. Writing has so much to give, so much to teach, so many surprises. That thing you had to force yourself to do – the actual act of writing – turns out to be the best part. – Bird by Bird, 1995
7. Writing and reading decrease our sense of isolation. They deepen and widen and expand our sense of life: they feed the soul. – Bird by Bird, 1995
8. When writers make us shake our heads with the exactness of their prose and their truths, and even make us laugh about ourselves or life, our buoyancy is restored. We are given a shot at dancing with, or at least clapping along with, the absurdity of life. – Bird by Bird, 1995
Quotes on Success in Writing
9. I love the freedom success has given me, to do and write anything I want. – Washington Post Interview, 2021
10. I try to use my visibility for the most good I can. – Washington Post Interview, 2021
11. I’ve seen celebrity destroy infinitely more people than it’s fulfilled. – Washington Post Interview, 2021
12. Publication and temporary creative successes are something you have to recover from. They kill as many people as not. They will hurt, damage and change you in ways you cannot imagine. – Ted Talk, 2017
13. The most degraded and evil people I’ve ever known are male writers who’ve had huge best sellers. – Ted Talk, 2017
14. It’s also a miracle to get your work published, to get your stories read and heard. Just try to bust yourself gently of the fantasy that publication will heal you, that it will fill the Swiss-cheesy holes inside of you. It can’t. It won’t. But writing can– Ted Talk, 2017
15. My dad was a writer, and his entire life was about trying to get on the New York Times list. When it happened to me, I called my mom and said, “Oh my God, Mom, I hit the list!” And my mom said, “Oh, huh. Anything else?” I just wanted to hang up. That was my entire childhood. – Washington Post Interview, 2021
16. And then I did get on again, and then I went higher on the list, and then I fell off, and I wanted to die. Thereby proving the adage, “Happiness is an inside job.” That’s where I try to keep my attention, such as it is: on the inside. – Washington Post Interview, 2021
Quotes on Books and Reading
17. No matter how people mess with you or let you down, or how you let yourself down, a good book means that when you get in bed that night, you have a good hour. – Goodreads Interview, 2012
18. That’s what books mean to me. I can open this two-dimensional, flat white page with squiggly little black marks on them, and someone has created this world that you’re going to enter into and get lost in Berlin in the ’30s. – Goodreads Interview, 2012
19. For some of us, books are as important as almost anything else on earth. What a miracle it is that out of these small, flat, rigid squares of paper unfolds world after world after world, worlds that sing to you, comfort and quiet or excite you. – Bird by Bird, 1995
20. When I read these books that I love so much, I am simultaneously filled with joy and gratitude and relief for their existence, and total jealousy that they are so great, these writers capable of creating entire worlds that shimmer with truth and humanity. – Lithub Interview, 2021
21. Becoming a better writer is going to help you become a better reader, and that is the real payoff. – Bird by Bird, 1995
22. One reads with a deeper appreciation and concentration, knowing now how hard writing is, especially how hard it is to make it look effortless. You begin to read with a writer’s eyes. – Bird by Bird, 1995
Quotes on Getting Started, Consistency and Persistence in Writing
23. You try to sit down at approximately the same time every day. This is how you train your unconscious to kick in for you creatively. – Bird by Bird, 1995
24. The model was my father who was a writer, Kenneth Lamott. And he had a lot of books published and a lot of magazine articles. And I heard him down at his desk at that old Olympia at 5:30, every morning, rain or shine or hangover, he just did it. And that was what he taught me was that you don’t wait for inspiration. – Tim Ferris Interview, 2021
25. Every writer you know writes really terrible first drafts, but they keep their butt in the chair. That’s the secret of life. That’s probably the main difference between you and them. They just do it. – Ted Talk, 2017
26. My brother was in tears because his fourth-grade term paper on birds was due, and he hadn’t started. So my dad put his arm around John and said, “Just take it Bird by Bird, buddy.” He had John read a page in Audubon or Roger Tory Peterson about pelicans, and then write a paragraph in his own words. And then read about chickadees, and put it in his own words. Little by little by little. – Lithub Interview, 2021
27. I teach people to take it really small, Bird by Bird. – Tim Ferris Interview, 2021
28. Hope begins in the dark, the stubborn hope that if you just show up and try to do the right thing, the dawn will come. You wait and watch and work: you don’t give up. – Bird by Bird, 1995
Quotes on Getting Ideas and Dealing with Writers Block
29. I’ve always told my writing students that I think writer’s block is a misnomer. I don’t think we get blocked, but rather that we get empty. We need to fill back up. – Lithub Interview, 2021
30. Instead of sitting at my desk in full clench and despair, I go about accumulating snippets and chunks of cool stuff: I do informal interviews with brilliant friends on childhood, soul, the meaning of life, etc; I take my most articulate friends to marshes and museums, and I write down every brilliant observation either of us has; I look through old photo albums; I read more poetry. In other words, I fill back up. – Lithub Interview, 2021
31. If you don’t know where to start, remember that every single thing that happened to you is yours, and you get to tell it. – Ted Talk, 2017
32. My dad taught me that to be a writer is a decision and a habit. It’s not anything lofty, and it doesn’t have that much to do with inspiration. You have to develop the habit of being a certain way with yourself. – Goodreads Interview, 2012
33. I heard E.L. Doctorow say that writing was like driving at night with the headlights on. You could only see a little ways in front of you, but you could make the whole journey that way. And I think that is the most profound advice I can offer anyone on any topic. – Tim Ferris Interview, 2021
Quotes on Authenticity in Writing
34. If something inside of you is real, we will probably find it interesting, and it will probably be universal. So you must risk placing real emotion at the center of your work. Write straight into the emotional center of things. – Bird by Bird, 1995
35. Good writing is about telling the truth. We are a species that needs and wants to understand who we are. – Bird by Bird, 1995
36. You are going to have to give and give and give, or there’s no reason for you to be writing. You have to give from the deepest part of yourself, and you are going to have to go on giving, and the giving is going to have to be its own reward. – Bird by Bird, 1995
37. You cannot write out of someone else’s big dark place; you can only write out of your own. – Bird by Bird, 1995
Quotes on Self-Doubt and Fear as a Writer
28. I know some very great writers, writers you love who write beautifully and have made a great deal of money, and not one of them sits down routinely feeling wildly enthusiastic and confident. Not one of them writes elegant first drafts. – Bird by Bird, 1995
39. I can never tell what I’m doing when I’m in the middle of publication because I have no confidence. I have terrible self-esteem, along with boundless narcissism. It’s complicated in here! – Goodreads Interview, 2012
40. I don’t think you have time to waste not writing because you are afraid you won’t be good at it. – Bird by Bird, 1995
Quotes on Perfectionism in Writing
41. Perfectionism is the voice of the oppressor. It’s the voice of the enemy. And if you listen to it, it keeps you crazy for your entire life because we all fall short. – Tim Ferris Interview, 2021
42. I think perfectionism is based on the obsessive belief that if you run carefully enough, hitting each stepping-stone just right, you won’t have to die. The truth is that you will die anyway and that a lot of people who aren’t even looking at their feet are going to do a whole lot better than you, and have a lot more fun while they’re doing it. – Bird by Bird, 1995
43. I don’t try to teach kids or grownups how to write really, really well. I just teach them to stop not writing. I teach to keep their butt in the chair and to write badly. – Tim Ferris Interview, 2021
44. I just believe in flinging yourself into it and writing incredibly terrible first drafts. – Goodreads Interview, 2012
45. All first drafts of any book you’ve ever read by the authors you esteem most began as unreadable first drafts. – Tim Ferris Interview, 2021
46. Almost all good writing begins with terrible first efforts. You need to start somewhere. – Bird by Bird, 1995
47. Perfectionism means that you try desperately not to leave so much mess to clean up. But clutter and mess show us that life is being lived. Clutter is wonderfully fertile ground— you can still discover new treasures under all those piles, clean things up, edit things out, fix things, get a grip. – Bird by Bird, 1995
48. Try looking at your mind as a wayward puppy that you are trying to paper train. You don’t drop-kick a puppy into the neighbor’s yard every time it piddles on the floor. You just keep bringing it back to the newspaper. – Bird by Bird, 1995
49. We need to make messes in order to find out who we are and why we are here – and, by extension, what we’re supposed to be writing. – Bird by Bird, 1995
Quotes on How to Write Well
50. I’ve been over every word in this book a dozen times, and I did notice that I’ve become a pretty decent writer. – Washington Post Interview, 2021
51. At my advanced age, I’ve had to throw a bunch of stuff out of the plane that’s kept me flying too low – including trying to impress New York City editors and writers, which actually made me mentally ill. – Washington Post Interview, 2021
Quotes on Dealing with Challenges in Writing
52. Being a writer guarantees that you will spend too much time alone – and that as a result, your mind will begin to warp. – Bird by Bird, 1995
53. On a bad day you also don’t need a lot of advice. You just need a little empathy and affirmation. You need to feel once again that other people have confidence in you. – Bird by Bird, 1995
54. If people wanted you to write more warmly about them, they should’ve behaved better. – Ted Talk, 2017
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85+ Inspirational William Zinsser Quotes for Writers

William Zinsser has taught generations of writers the basics of writing well. In this article, we will look at some of his best quotes, drawn from a variety of sources including his books, interviews, and blog.
His quotes offer insight on various issues that you may face as a writer including:
- How do you become a better writer?
- What are the benefits of writing?
- Why should you write what you love?
If you want to learn more about William Zinsser, check out his quick biography.
Quotes on Reasons for Writing
1. We write to find out what we know and what we want to say. I thought of how often as a writer I had made clear to myself some subject I had previously known nothing about by just putting one sentence after another. – Writing to Learn, 1988
2. The writer’s job is like solving a puzzle, and finally arriving at a solution is a tremendous satisfaction – On Writing Well, 1976
3. Writing enables us to find out what we know -and what we don’t know -about whatever we’re trying to learn. – Writing to Learn, 1988
4. Writing is the handmaiden of leadership; Abraham Lincoln and Winston Churchill rode to glory on the back of the strong declarative sentence – Writing to Learn, 1988
5. All writing is ultimately a question of solving a problem. – On Writing Well, 1976
6. Writing is a way to explore a question and gain control over it – Writing to Learn, 1988
7. Writing is an intimate transaction between two people, conducted on paper, and it will go well to the extent that it retains its humanity- On Writing Well, 1976
8. Another reason [for writing] is to paint a portrait of the town or community, now considerably changed, where you grew up. Somewhere on the shelves of every American small-town library and historical society is a makeshift volume, often written by a retired schoolteacher that resuscitates a bygone way of life. – American Scholar Blog, February 18, 2011
9. Writing is also a potent search mechanism, often as helpful as psychoanalysis and a lot cheaper. When you start on your memoir you’ll find your subconscious mind delivering your past to you, recalling people and events you have entirely forgotten. That voyage of rediscovery is a pleasure in itself. – American Scholar Blog, February 18, 2011
10. Writing is a sanity-saving companion for people in times of grief, loss, illness, and other accidents of fate. Just getting down on paper those grim details…will validate your ordeal and make you feel less alone. – American Scholar Blog, February 18, 2011
11. Contrary to general belief, writing isn’t something that only “writers” do; writing is a basic skill for getting through life. – Writing to Learn, 1988
12. Reasoning is a lost skill of the children of the TV generation, with their famously short attention span. Writing can help them get it back. – Writing to Learn, 1988
13. Writers may write for any number of good personal reasons -ego, therapy, recollection, validation of their lives. But what they produce will have a validity of its own to the extent that it’s useful to somebody else. – Writing to Learn, 1988
Quotes on Writing as a Way of Clarify Thinking
14. Writing organizes and clarifies our thoughts. Writing is how we think our way into a subject and make it our own. – Writing to Learn, 1988
15. Clear writing is the logical arrangement of thought; a scientist who thinks clearly can write as well as the best writer. – Writing to Learn, 1988
16. I thought of how often the act of writing even the simplest document -a letter, for instance -had clarified my half-formed ideas. Writing and thinking and learning were the same process. – Writing to Learn, 1988
17. Writing organizes and clarifies our thoughts. Writing is how we think our way into a subject and make it our own. Writing enables us to find out what we know -and what we don’t know -about whatever we’re trying to learn. – Writing to Learn, 1988
18. Putting an idea into written words is like defrosting the windshield: The idea, so vague out there in the murk, slowly begins to gather itself into a sensible shape. Whatever we write -a memo, a letter, a note to the baby-sitter -all of us know this moment of finding out what we really want to say by trying in writing to say it. – Writing to Learn, 1988
19. Probably no subject is too hard if people take the trouble to think and write and read clearly. – Writing to Learn, 1988
20. Writing is thinking on paper, or talking to someone on paper. If you can think clearly, or if you can talk to someone about the things you know and care about, you can write – with confidence and enjoyment. – On Writing Well, 1976
Quotes on How To Write Well
21. You must find some way to elevate your act of writing into entertainment. – On Writing Well, 1976
22. The hardest column to write was the one that taught me the most. – American Scholar Blog, April 29, 2011
23. Make a habit of reading what is being written today and what has been written before. Writing is learned by imitation. – On Writing Well, 1976
24. Examine every word you put on paper. You’ll find a surprising number that don’t serve any purpose. – On Writing Well, 1976
25. Don’t try to visualize the great mass audience. There is no such audience -every reader is a different person. – On Writing Well, 1976
26. Clear thinking becomes clear writing; one cannot exist without the other. – On Writing Well, 1976
27. Most first drafts can be cut by 50 percent without losing any information or losing the author’s voice. – On Writing Well, 1976
28. The most important sentence in any article is the first one. If it doesn’t induce the reader to proceed to the second sentence, your article is dead. And if the second sentence doesn’t induce him to continue to the third sentence, it’s equally dead. – On Writing Well, 1976
29. So decide what single point you want to leave in the reader’s mind. It will not only give you a better idea of what route you should follow and what destination you hope to reach; it will affect your decision about tone and attitude. – On Writing Well, 1976
30. Much of the trouble that writers get into comes from trying to make one sentence do too much work. Never be afraid to break a long sentence into two short ones, or even three. – On Writing Well, 1976
31. Writing improves in direct ratio to the number of things we can keep out of it that shouldn’t be there. – On Writing Well, 1976
32. “Who am I writing for?” You are writing for yourself. Don’t try to visualize the great mass audience. There is no such audience -every reader is a different person. – On Writing Well, 1976
33. Thinking clearly is a conscious act that writers must force on themselves- On Writing Well, 1976
34. Constantly ask yourself: “What am I trying to say?” Then look at what you have written and ask if you have said it. – On Writing Well, 1976
35. Never hesitate to imitate another writer – every person learning a craft or an art needs models. Eventually you’ll find your own voice and will shed the skin of the writer you imitated. – On Writing Well, 1976
36. The best way to learn to write is to study the work of the men and women who are doing the kind of writing you want to do. – On Writing Well, 1976
37. The only way to learn to write is to force yourself to produce a certain number of words on a regular basis. – On Writing Well, 1976
38. Rewriting is the essence of writing well: it’s where the game is won or lost. – On Writing Well, 1976
39. I don’t do tips…It’s not that I don’t have any; On Writing Well, 1976 is full of what might be called tips. But that’s not the point of the book. It’s a book of craft principles that add up to what it means to be a writer Tips can make someone a better writer but not necessarily a good writer. That’s a larger package –a matter of character. – American Scholar Blog, November 5, 2010
40. Golfing is more than keeping the left arm straight. Every good golfer is a complex engine that runs on ability, ego, determination, discipline, patience, confidence, and other qualities that are self-taught. So it is with writers and all creative artists. If their values are solid their work is likely to be solid. – American Scholar Blog, November 5, 2010
41. The essence of writing is rewriting. Very few writers say on their first try exactly what they want to say. – Writing to Learn, 1988
42. Writing is learned by imitation. I learned to write mainly by reading writers who were doing the kind of writing I wanted to do and by trying to figure out how they did it. – Writing to Learn, 1988
43. Students often feel guilty about modeling their writing on someone else’s writing. They think it’s unethical—which is commendable. Or they’re afraid they’ll lose their own identity. The point, however, is that we eventually move beyond our models; we take what we need and then we shed those skins and become who we are supposed to become. – Writing to Learn, 1988
44. He may have been a little high. Beware of dashing. “Effortless” articles that look as if they were dashed off are the result of strenuous effort. A piece of writing must be viewed as a constantly evolving organism. – Writing to Learn, 1988
45. The English language is endlessly supple. It will do anything you ask it to do, if you treat it well. – American Scholar Blog, March 11, 2011
Quotes on What It Takes To Be a Successful Writer
46. Sell yourself, and your subject will exert its own appeal. Believe in your own identity and your own opinions. Writing is an act of ego, and you might as well admit it. Use its energy to keep yourself going. – On Writing Well, 1976
47. Writing is hard work. A clear sentence is no accident. Very few sentences come out right the first time, or even the third time. Remember this in moments of despair. If you find that writing is hard, it’s because it is hard. It’s one of the hardest things that people do. – On Writing Well, 1976
48. A writer will do anything to avoid the act of writing- On Writing Well, 1976
49. Nobody becomes Tom Wolfe overnight, not even Tom Wolfe- On Writing Well, 1976
Quotes on Being Authentic When Writing
50. Write about things that are important to you, not about what you think readers will want to read. Readers don’t know what they want to read until they read it. If it’s important to you it will be important to other people. – American Scholar Blog, August 13, 2010
51. Be yourself and your readers will follow you anywhere. Try to commit an act of writing and your readers will jump overboard to get away. Your product is you. – On Writing Well, 1976
52. If you write for yourself, you’ll reach all the people you want to write for. – On Writing Well, 1976
53. You are writing primarily to please yourself, and if you go about it with enjoyment you will also entertain the readers who are worth writing for. – On Writing Well, 1976
54. Readers want the person who is talking to them to sound genuine. Therefore a fundamental rule is: be yourself. – On Writing Well, 1976
55. I don’t think you should never worry what people think of you. I think you should write whatever you’re writing, you should write entirely for yourself. Don’t try to think what editors want, what publishers want, what agents want. They don’t really know until they see it. So I think the important thing is to get it down. – NPR, 2015
56. As a teacher and as a mentor I give people permission to be who they want to be. – American Scholar Blog, June 4, 2010
57. You must give yourself permission, by a daily act of will, to believe in your remembered truth. Do not remain nameless to yourself. Only you can turn on the switch; nobody is going to do it for you. – American Scholar Blog, June 4, 2010
58. Nobody can make us write what we don’t want to write. – American Scholar Blog, November 5, 2010
Quotes on Education
59. Most Americans look back on their education as a permission-denying experience –a long trail of don’ts and can’ts and shouldn’ts. – American Scholar Blog, June 4, 2010
60. Consider the countless hours we require our children to attend classes and tutoring sessions whose sole purpose is to teach them how to pass college entrance tests–a body of knowledge wholly useless to their growth. – American Scholar Blog, June 4, 2010
61. The fear of writing is planted in countless people at an early age -often, ironically, by English teachers, who make science-minded kids feel stupid for not being “good at words,” just as science teachers make people like me feel stupid for not being good at science. – Writing to Learn, 1988
62. Writing, however, isn’t a special language that belongs to English teachers and a few other sensitive souls who have a “gift for words.” Writing is thinking on paper. Anyone who thinks clearly should be able to write clearly -about any subject at all. – Writing to Learn, 1988
63. Yet most American adults are terrified of the prospect -ask a middle-aged engineer to write a report and you’ll see something close to panic. – Writing to Learn, 1988
Quotes on Working on What You Love and What Is Meaningful to You
64. Motivation is crucial to writing -students will write far more willingly if they write about subjects that interest them and that they have an aptitude for. – Writing to Learn, 1988
65. Try not to acquiesce too quickly in projects that you know aren’t right for who you are. Think about other financial solutions that will free you to focus on the primary task of becoming a writer. – American Scholar Blog, June 3, 2011
66. Give more thought to the longer trajectory of your life. Your most important work-in-progress is not the story you’re working on now. Your most important work-in-progress is you. – American Scholar Blog, June 3, 2011
67. I often think I’m the only teacher who talks about enjoyment as a crucial ingredient in writing. My students seem puzzled that I keep coming back to the subject. – American Scholar Blog, May 14, 2010
68. Writing is serious! Most writers take the act of writing with grim solemnity, fearful that they won’t be worthy of the gods of literature scowling down from Mount Parnassus. Or is it that they take themselves so seriously? – American Scholar Blog, May 14, 2010
69. When I write I make a conscious effort to generate a sense of enjoyment –to convey to my readers that I found the events I’m describing more than ordinarily interesting, or unusual, or amusing, or emotional, or bizarre. Otherwise why bother to describe them? – American Scholar Blog, May 14, 2010
70. I also try to convey the idea that I was feeling great when I did my writing –which I almost never was; writing well is hard work. But readers have a right to believe that you were having a good time taking them on your chosen voyage. – American Scholar Blog, May 14, 2010
71. Only when the job was over did I enjoy it. I don’t like to write, but I take great pleasure in having written. – Writing to Learn, 1988
Quotes on Creativity and Getting Ideas
72. Some of our most creative work gets done in downtime –waking from a nap, taking a walk, daydreaming in the shower…Downtime is when breakthrough ideas are delivered to us, unsummoned, when yesterday’s blockages somehow come unblocked. That’s because we treated ourselves to a little boredom and cleared our brains of the sludge of information. – American Scholar Blog, December 3, 2010
73. Something happened when I actually started to write. The book took on a life of its own and told me how it wanted to be written. – Writing to Learn, 1988
74. An idea can have value in itself, but its usefulness diminishes to the extent that you can’t articulate it to someone else. – Writing to Learn, 1988
Quotes on Writing for Money
75. I know that writers, like everyone else, have to pay the bills. But I believe that blind subservience to an imagined final product is harmful to body and soul and is also often unnecessary. – American Scholar Blog, June 3, 2011
76. Depressingly often I hear from people who are stalled on a piece of writing for reasons that have nothing to do with actual writing. They are snarled in the machinery of trying to market what they write. – American Scholar Blog, June 3, 2011
77. If the process is sound, the product will take care of itself. – Writing to Learn, 1988
78. Ravi’s India memoir also might not get published, but she would be fully alive while writing it. She would grow as a writer and as a person. – American Scholar Blog, June 3, 2011
79. Much of the trouble that writers get into is caused by cart-before-the-horse disease. Writers fixate on the successful final product, forgetting that they will only create that product if they start at the beginning and get the process right. – American Scholar Blog, September 24, 2010
Quotes on Memoirs
80. Memoirs first got a bad name in the mid-1990s. Until that time authors adhered to an agreed-upon code of modesty, drawing a veil over their most shameful acts and feelings. Then talk shows were born and shame went out the window. Overnight, no recollected event was too squalid, no family too dysfunctional, to be trotted out, for the titillation of the masses, on television and in magazines and books. – American Scholar Blog, February 18, 2011
81. Memoir became the new therapy. Everybody and his brother wallowed in their struggle with alcohol, drug addiction, recovery, abuse, illness, aging parents, troubled children, codependency, and other newly fashionable syndromes, meanwhile bashing their parents, siblings, teachers, coaches, and everyone else who ever dared to misunderstand them. It was a new literature of victimhood. – American Scholar Blog, February 18, 2011
82. Nobody remembered those books for more than 10 minutes; readers won’t put up with whining. The memoirs that endure from that period are the ones that look back with love and forgiveness. – American Scholar Blog, February 18, 2011
83. There are many good reasons for writing your memoir that have nothing to do with being published. One is to leave your children and grandchildren a record of who you were and what heritage they were born into. Please get started on that; time tends to surprise us by running out. One of the saddest sentences I know is “I wish I had asked my mother about that.” – American Scholar Blog, February 18, 2011
84. I don’t like people telling other people they shouldn’t write about their life. All of us earn that right by being born; one of the deepest human impulses is to leave a record of what we did and what we thought and felt on our journey. The issue here is not whether so many bad memoirs should be written. It’s whether they should be published. – American Scholar Blog, February 18, 2011
85. Most of those memoirs shouldn’t be published. They are too raw and ragged, too self-absorbed and poorly written, seldom telling us anything we don’t already know. But that doesn’t mean you shouldn’t write them. Don’t worry about the trees. – American Scholar Blog, February 18, 2011
Quotes on Non-fiction Writing
86. Nonfiction writing should always have a point: It should leave the reader with a set of facts, or an idea, or a point of view, that he didn’t have before he started reading. – Writing to Learn, 1988
87. As a nonfiction writer you must anchor your work in specific detail and personal experience that’s useful to your readers. – American Scholar Blog, September 24, 2010
88. Nonfiction writers should always gather far more material than they will use, never knowing which morsel will later exactly serve their needs. – American Scholar Blog, March 11, 2011
Finance Blogs
Louis L’Amour Biography
Louis L’Amour (born Louis Dearborn LaMoore) was an American author best known for novels and short stories. Although he is most famous for his western novels, he has also written poetry, science-fiction, historical fiction, and non-fiction books.
L’Amour was highly prolific. He wrote 100 novels and numerous short stories (over 250 by some estimates). His books have sold over 320 million copies and have been translated into 20 languages. He also wrote numerous screenplays and television scripts. Several of his books (at least 30) have been made into films.
Louis L’Amour’s life story is a colorful as the characters he writes about in his books. He was born in Jamestown, North Dakota, US on March 22, 1908. His father was a veterinarian and his mother was a teacher.
His comfortable childhood ended in 1923 when, after a series of bank failures ruined the economy of the upper Midwest, the family had to move to look for work. This meant that Louis and his brother John had to leave school. Louis was 15 at the time.
During these difficult years, Louis worked all kinds of jobs. He worked in cattle farms, mines, sawmills, and lumber camps. He also spent time as a professional boxer and merchant seaman. His work as a merchant seaman enables him to travel around the world, visiting England, Japan, China, Borneo, the Dutch East Indies, Arabia, Egypt, and Panama.
In the early 1930s, during the great depression, he settled in Choctaw, Oklahoma, to start his writing career. In 1939, at the age of 31, he published a book of poetry and several short stories. His writing career was interrupted by the outbreak of the Second World War. In 1942 (at the age of 35) he joined the US army transportation corps and spent time in France and Germany.
He continued with his writing career after the war in 1946. From 1946 to 1950, he wrote many short stories for various magazines under the pseudonym “Jim Mayo.” He also wrote four novels as “Tex Burns.”
The first novel he wrote under his real name was Westward the Tide (1951). In 1953, he wrote Hondo, which became a hit and sold 1.5 million copies. In 1954, Hondo was made into a highly successful film starring John Wayne. The rest, as they say, is history.
In 1983, L’Amour became the first novelist to be awarded the Congressional Gold Medal. He was also awarded the Medal of Freedom in 1984.
L’Amour died from lung cancer at the age of 80 (on 10 June 1988). His autobiography, Education of a Wandering Man (1989), was published shortly after.
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